The music video follows the same thread, blending past, present, and future, thanks to its location at the Armani Silos. “It was a fortunate choice, a beautiful gift given to me. The spacious areas and perfect settings allowed us to create our scenography, harmonizing with the Armani Privé looks from the archive. Their use was a deliberate stylistic choice to juxtapose two elements: pop and dance music, accessible to everyone, and exclusive outfits worn once and then placed in a museum. Bringing these two elements together symbolized a fresh start that merges my two lives—the one from before and the one today.”

Alexia has changed, grown, and broken away from dance music, only to succumb to its pull once again. Music, too, has changed along with her: “There’s a comeback,” she says. “A return to songs with an 80s vibe, a softer, cleaner sound but with magical melodies that evoke memories, especially for my generation, while still resonating with younger listeners because they inspire and uplift.” Speaking of the past, it’s impossible not to mention Dimmi Come, the song that marked her entry into the Italian pop scene, and her unforgettable appearances at the Sanremo Festival. “In 2002, I definitely experienced a pivotal moment in how the Italian public perceived me. My work was often judged superficially; I was seen as a studio-produced artist. On that stage, there was no room for pretense—it strips you bare. The performance and the song, with an interpretation that showcased my soul and blues roots, delivered the result I had hoped for: people and industry professionals realized I was a true artist.” The rest, as they say, is history. “Sanremo gave me incredible popularity, especially in Italy but not only. It gave me confidence in my abilities as a 360-degree artist—capable of writing, performing, producing, and, above all, singing in Italian on that stage and overcoming all the doubts people had about me.”